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A golf bag filled with cash sets off a furious chase between an unemployed man, a delivery man, gangsters, a killer, and a cop.

A group of slaves plan a daring 600-mile escape from a Georgia plantation. Along the way, they are aided by a secret abolitionist couple running a station on the Underground Railroad as they attempt to evade the people charged with bringing them back, dead or alive.

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After eight years of close collaboration with her supervisor, Mathilde suddenly finds herself inexplicably victim of moral harassment by him. In parallel, Thibault has just split up with his girlfriend after a frustrating two-year relationship where they exchanged very little. Mathilde and Thibault have never met, they are just two figures among millions of others. Two people who may bump into each other or who may merely pass each other by. But one day in September, their paths meet.

After faking his death, a tech billionaire recruits a team of international operatives for a bold and bloody mission to take down a brutal dictator.

来自世界各地的六人，个个都是各自领域的佼佼者。他们之所以被选中，不单是因为能力出众，还在于其独特的志向：他们想抹杀自己的过去以改变未来。一位神秘的领袖（瑞恩·雷诺兹饰）将他们召集到一起组成了这个团队，他毕生唯一的使命就是确保即使他和自己的同伴会被遗忘，但也要让人们永远铭记他们所做的一切。

Max and Wu, two long time rivals, are competing in the world’s most dangerous underground fighting tournament, where powerful crimelords can gamble and influence who they fight, the terrain they fight on and what weapons will be used. In this high-stakes bloodsport where one wrong move can mean certain death, they must decide whether to play by the rules or to cast their honor aside and team up against the dark syndicate running the tournament and bring the entire system down.

Part autobiography, part film collage, Khoshbakht’s film offers a fascinating insight into the lives of those who fight to keep film culture alive in the face of oppression. Centring on two maverick cinephiles from Iran – the director himself and his late friend Ahmad Jurghanian – this poignant work is a testament to the power of cinema and its potential as an act of resistance.

Part autobiography, part film collage, Khoshbakht’s film offers a fascinating insight into the lives of those who fight to keep film culture alive in the face of oppression. Centring on two maverick cinephiles from Iran – the director himself and his late friend Ahmad Jurghanian – this poignant work is a testament to the power of cinema and its potential as an act of resistance.